I am stunned. I generally dislike ballet and mimes. And yet I find the images of CanStage’s production of The Overcoat (based on Gogol’s short story & Shostakovich’s music) will not leave my mind. It was moving, well acted, immensely satisfying…and even had a “sad ending.” No matter; the show leaves you hungry for life, for meaning, for joy, and to listen to more classical music. Well done, CanStage. No wonder tonight’s 10-year anniversary production (& closing night) was sold out.
I really should do a proper review here, discussing how Peter Anderson’s The Man (uncannily looking like Jonathan Pryce) is at once a Brechtian Common Man and the protagonist of a Greek Tragedy, describing the brilliance of the choreography with Shostakovich’s more ambitious works, and the strength of the ensemble’s choreography and stage presence. I should talk about innovative rolling drafters’ desks that double as cabaret tables, scrims and sliding windows used effectively to separate scenes, and a suitably unifying wardrobe. I should mention the parallels to Chaplin’s Modern Times and Tati’s Oncle films. I might even describe in passing how similarly I’ve felt to The man when he dons his new coat (I even have a new purple coat in the same colour!), and how agonizingly upset I’ve been when a prized possession has gotten ruined.
But I won’t. I haven’t the time. ;)
CanStage Bluma, I’m expecting similar brilliance with next month’s The Rocky Horror Picture Show. Don’t disappoint! :)